I’ve been doing my best to refrain from perpetuating the stereotype of Singaporean students; that all we do is hang out in our own groups and not mix around. In defense of them, it’s not an elitist thing, or even shyness—it’s just that Singapore is a really small place, and people who study abroad (and there are many) tend to gravitate towards one of three places: America, the UK or Australia. Chances are that you will know people studying somewhere (I know more than fifteen people studying in New York, for example), so it’s a bit hard to leave an existing, readily-accessible social circle for a new one.
Over the past week or so I’ve met a few (non-Singaporean, ha!) people from Goldsmiths who’ve actually read this blog, which is one of the main reasons why I’m updating it now. I’ve been here for three weeks already but never got around to posting here (or on Common, which I’ll get to doing in a bit) because until last week, I was sleeping on my poet friend (and first-class History student) Jin’s couch in Waterloo. I also finally got around to refreshing the about section, since I’m 1) no longer looking for a job and 2) not a professional features writer anymore, whatever that means.
If you happen to be in London, Sandcastle will be screening at the ICA on the 15th and 17th of October. More details are available at the London Film Festival website. I’ll be introducing the movie on one of the days (or maybe both; I haven’t decided yet) so if you’d like to ask questions or buy me a pint, I’ll be in the area.
I’ve had the amazing opportunities (coming from somewhere with a dearth of regular concerts) to catch Wilco and Two Door Cinema Club play one week after another. Suffice it to say, watching Nels Cline solo on Impossible Germany was a near-religious experience.
Then there was this girl called Florrie opening for TDCC who was pretty damn good. She works extensively with Fred Falke and you can hear his influences in her style. His remixes of her tracks, are, of course, classic Falke tunes (see what I did there?) that never let you down. Here’s one of her tracks:
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But I’d love to make music in London—the crowds here are so much more appreciative of bands they’ve never heard of, which is more than I can say for the rampant shortchanging of bands in Singapore. No names, but if you’ve been following the local festival circuit you’ll know what I’m talking about. That, and the audience doesn’t yell at you to “get the fuck off” the stage so the band you’re opening for can play… but that’s a rant for another time.
To everyone who’s been asking what my room looks like (it’s not usually this messy, I swear):













